noticed at the Serpentine Gallery
Sou Fujimoto's pavilion: the overlapping acrylic discs out of which it is made permit different depths of seeing, but after several months have accumulated an interesting grime:
Marisa Merz exhibition: structures knitted with fine copper wire (she was part of Arte Povera) and suspended against a wall, layering creating different degrees of opacity; two floorworks made of what looked like taped together sheets of tracing paper with melted wax pooled between.
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